Free Essays - The Merchant of Venice is Far from Perfect :: Free Merchant of Venice Essays

Audens DystopiaThe Merchant of Venice is Far from stainless  In a perfect world, hatred would be without justice bang would be tot eachy innocent. However, utopias like that atomic number 18 nonexistent thus, one foot easily look around, like Auden, and exclaim, No hatred is totally without justification, no love is totally innocent. In The Merchant of Venice, there is an imperfect world, as well as a perfect world. The flawed world is the mercenary and bustling city of Venice. The impeccable world is the fairy-tale city of Belmont. Despite Belmonts perfection, a bit of justified hatred from Venice would ruin its innocence. (Paradise lost.) Alas, as Auden invokes, there are no utopias. In Venice, time is of the essence. If one were to momentarily forget the significant world, one would be trampled down by its massive stampede of events, bonds, et cetera continuously being made, ubiquitously in its domain. Shylock and Antonio are just one partner off of culprits addin g to the ultimate imperfection of Venice. However, the bond made between Shylock and Antonio sets them wholly apart from the normal villainy dealings, If you repay me non on much(prenominal) a day... let the forfeit / Be nominated for an equal ticktock / Of your fair flesh, to be cut off and taken... Act 1, Scene 3. A subtle merchant, Antonio does not immediately agree to this. He first reasons it out at heart these two months--thats a month before / This bond expires--I do carry return / Of thrice three times the value of this bond. Act 1, Scene 3 If all goes well, our merchant of Venice would have no difficulties in paying Shylock back. However, not all goes well a while after this bond, rumors on the Rialto suggest that Antonio has lost his fortunes at sea. With not enough wealth to compensate for his collectible payment, Antonio is now in danger of losing a pound of his flesh, which in those old age meant almost certain death.  In Belmonts high peak, secluded from th e merchants of Venice, time is a silhouette of the real world. Portia sits there weary and bored, waiting for the brave suer who would agree to risk all for her. She is the perfect woman, wrought of both countersign and beauty she is like a doll trapped in Wonderland. In addition to those materialistic qualities, she is also a faithful daughter. She dutifully holds received to her fathers dying wish and allows her suitors to be chosen by a draftsmanship system.